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Cornucopia - sujet général

sofftchevaliers

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interview de Chiara Stephenson pour Vogue

 

Citation

 

What’s the most challenging dictate or request that a performer or director has issued to you, and how did you address it?

Bjork wanted Cornucopia to be both intensely intimate, as though the audience could feel her whispering in their ear, and vast, voyeuristic and distant. A challenge that demanded a creative symbiosis of sound and light. Through close collaboration with other departments, we worked to bring these shifts from the acute to the epic. Tobias Gremmler’s incredible video art was at the heart of this, flying from the macro to the micro with kaleidoscopic shifts that take the audience on a journey with and through Björk. The show will feature surround sound that syncs with surround lighting, as though the staging itself is flying around the audience.

 

How would you describe the show and your role in it?

If the set design is the plate and Bjork is the feast... director Lucrecia Martel has been the Chef! Add that with lighting designer Bruno Poet and I as theatre creatives, the show much like the venue is a fusion of many things.

 

Walk me through the inspiration for this project. I’m particularly interested in the more material-seeming inspirations (patterns, fabrics, textiles, etc.) that seem to have informed the show. What are the icebergs? And what do they mean to you.

Natural forms are at the heart of this show. Whether the intricate beauty of fungi or the grand wonder of the cosmos, there was no part of reality to big or small to consider. Working with these forms and forces—light, wind, sound—aligns the creative process with the natural forces that keep life going, not to mention the materials we need to bring our ideas into being. It was also interesting to note the patterns that emerged as we moved our attention from the biggest things, stars and light, and the smallest, gills and microbes. It took us into both the personal and the universal, becoming infinitely small or unthinkably large. In the same way, Bjork's music is so personally and emotionally raw, it takes you deep into your own life experience, but is also about the human condition in general. It's fascinating moving between these perspectives.

I know that Björk is a real person. But is she a real real person? What did she wear to your first meeting with you? Probably not a swan dress.

She is true to her art and her way of being holds true to her way of performing. She doesn’t wear jeans and a t-shirt or at least not that I've seen yet, she wears works of art and this time will perform with another incredible mask creation by James Merry. She's someone who doesn't seem to draw lines between art and life. Björk is her art, just as much as her work is inseparable from her.

 

Hudson Yards has had a somewhat mixed reception in New York, but the Shed has been seen by some as a saving grace—a way to preserve a little NYC counterculture amid the luxury shopping mall and millionaire’s condos. Do you think that this piece of work speaks to that desire?

Yes entirely. We live in a fast evolving, technologically fueled world, but also one that is revealing a growing consciousness for our environment and the wellbeing of our planet. Björk's Cornucopia is a roller coaster of a show that harnesses that energy and technical capacity, directing it towards a vision for a hopeful future. We have to protect culture, and the Shed is doing this courageously. It's part of protecting the variety of our existence, which Cornucopia is also all about. The venue and the show hold the same things dear.

 

 

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serpentwithfeet présent sur toutes les dates apparemment

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question sur les visuels

en plus des nouvelles vidéos de Gremmler et de Notget ils passent quoi ?

The Gate en entier ?

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le chœur a fait une prestation le 18 apparemment :)

 

 

 

 

d'autres photos sur le compte instagram de giggoers

 

 

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Le 07/02/2019 à 10:33, aifol a dit :

et bien !! Si avec tout ce beau monde, elle ne prévoit pas / ne trouve pas le budget pour faire une captation vidéo et un DVD ou autre sortie vidéo, je me déplace spécialement pour la fouetter avec des orties fraichement coupés !! :P

 

Salut à tous

Est ce que vous pensez que Cornucopia aura une sortie vidéo ?ça a l'air mortel !!!

J’espère vraiment

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en triant les photos de Viibra, je me suis aperçu qu'il y avait eu un changement

 

Emilia Rós Sigfúsdóttir n'est plus là

viibra-flutes-bjork-headthings-james-t-m

 

c'est Dagný Marinósdóttir qui la remplace

james-merry-mask-cornucopia-dagny.jpg

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Le shed a enregistré Björk en scred mais bon 2 secondes pas plus :D

 

 

lien trouvé sur reddit

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Tobias Gremmler est une vraie personne !! si si !! :)

 

https://www.clotmag.com/interviews/tobias-gremmler-morphing-the-visual-uniqueness-of-movement-and-rhythm

 

Citation

Your latest project, the video for Bjork’s Tabula Rasa, has been inspired by the lyrics of the song, transcended into a personal animated interpretation. How did you envision this project in the early stages and what was the process from beginning to end? 

One of the strengths of Björk’s work is that it can be very personal and at the same time has universal relevance. We had many conversations about flowers and how they could be used to express grow, transformation and diversity. The main idea was to embody a constant state of metamorphosis, celebrating renewal. Thus, the visuals expressing certain aspects of the lyrics while still preserving space for interpretation.   

 

Citation

Where do you see your work going next?

It’s most likely that the collaboration with Björk continues a bit longer. Her work is an infinite source of inspiration. It is a great honour to collaborate with her.

 

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nouvelle recrue chez Viibra Sólveig Magnúsdóttir

 

solveig_magnusdottir.jpg

 

Citation

Introducing viibra member Sólveig! Sólveig Magnúsdóttir started playing the flute at the age of 9. She started her bachelor studies in 2013 at the Iceland Academy of the Arts with Martial Nardeu as a main teacher. In 2015 her studies continued in Oslo at the Norwegian Academy of Music with Andrew Cunningham. She has played with various orchestras and ensembles including the Icelandic Symphony Orchestra, The Icelandic Opera, Sjøforsvarets musikkorps and Copenhagen Phil. She is currently pursuing her master’s degree at the Royal Danish Academy of Music, studying with Ulla Miilmann. +++

 

elle faisait déjà partie de l'Utopia’s friday flute club

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les vidéos des lives de cornucopia sont retirées de youtube

je pense que c'est parce qu'elles ne rendent pas justice au concert

mais j'espère surtout que ça annonce une sortie vidéo moton184-27fa0.png

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il y a 19 minutes, Pierre a dit :

mais j'espère surtout que ça annonce une sortie vidéo moton184-27fa0.png

 

Est ce qu'on sait s'il y a eu une captation à Mexico ?

ça doit pas être facile a filmer,  notamment  rendre en vidéo l'impression de 3D des projections sur les rideaux devant la scène. 

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il y a une heure, Pierre a dit :

les vidéos des lives de cornucopia sont retirées de youtube

je pense que c'est parce qu'elles ne rendent pas justice au concert

mais j'espère surtout que ça annonce une sortie vidéo moton184-27fa0.png

Je le pense aussi (pour la sortie video) ils ont fait la meme chose avec MF

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Il y en avait beaucoup? J'ai regardé trop tard. Je pensais que le staff était hyper strict sur l'usage des smartphones.

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beaucoup non je ne pense pas (je ne cours pas après non plus)

mais au moins une du show complet et une de claimstaker

amateur bien entendu = son pourri + video pourrie

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